Monday, December 10, 2018

Representation

1. Describe a group, issue, or event that you may want to represent within your project.  
An issue that I feel passionate about and would like to represent within my project regards the sexual harassment and unequal treatment of women. As I’ve grown older, I have become less naive to the inappropriate thoughts of older men. However, I am not surprised. Because, just like every other girl, since I was a child, I have been preparing for this. I have been prepared for the expected harassment I’d face as my hips grew wider, my self security grew lower, and I’d have to start practicing, my now-perfected, looking over my shoulder while on a jog. “Don't ever walk home alone, Amanda” my mother would say before I understood why she was saying it. Now, I understand.
Sexual harassment is not normal. But, it is common. It has become so common to the point of normalization.The first time I was ever physically sexaully harassed, I brushed it off. I tried to blame his actions on everything but him. “That’s just his personality, he’s just super friendly” I’d convince myself. Until he did it again, and I told him he’d crossed the line. All he did was laugh, accused me of taking what he did the wrong way. He told me he was just joking and that I had no sense of humor. And that was the end of it. I sometimes question if I had just blown the whole situation out of proportion, but I know I didn’t because although it’s common, it is not normal, and it is definitely not okay.
The concept of consistent sexual harassment of women is a topic I’d like to represent within my project because it is extremely relevant and very personal. When I say “personal”, I am not referring to myself. I am referring to my mother, my aunts, my cousins, my girlfriends, and all the women who have been assaulted/harassed. Which in hindsight, I am really just referring to all woman. Because at some point in a woman’s life, regardless of the severity of the incident, a woman faces sexual harassment in one form or the other.
2.  Analyze two examples within the media of how this group, issue or event is already represented.  
In TV shows and other forms of media, female victims of sexual harassment are portrayed as just that - the victim. They are depicted as fragile, emotionally unstable, and very traumatized by the event that took place. And sometimes, this representation is accurate. However, most of the time, woman, like myself, just carry on. Some are too scared to report their harassment, in fear of being called a liar like the many women before them. Some, deny the incident as it took place at the hands of someone they knew and trusted. Often times, when women do come forward, their attacker is hardly ever brought to justice. For instance, take the real life case of Brock Turner - a successful college athlete - who raped a girl while she was unconscious and was ruled with only 6 months incarceration and 3 years of parole. This case was one that received extreme backlash from the public as it was deemed unjust to give Turner such little time for a crime that the evidence showed he was, without a doubt, guilty of.
Sexual harassment is an issue that is not distinctly represented in media. Often, behaviors of sexual harassment go unnoticed or unaddressed within the media, whether that be through a fictional or non fictional outlet. Even comments that are considered inappropriate and can make someone uncomfortable are still made despite their obvious sexual tendencies. For example, take the 2016 presidential election when a video of Donald Trump encouraging a male colleague to “grab her by the p*****” was released. His encouragement of was not only disrespectful and degrading, but was clearly one that encouraged sexual assault. Instead of it being shunned upon, it was marketed as a Trump slogan and even used by his supporters against his female opponent, Hillary Clinton.
Another example of how sexual harassment is represented in the media lies within the portrayal of those who commit acts of sexual harassment. For instance, in the media, such as within films, attackers are often strangers. However, in real life, statistically speaking, a woman is more likely to be attacked/harassed by someone she knows and/or someone she is close too. Gender is also a role that is considered in the representation of sexual harassment. In almost all forms of media, sexual harassers are male. This contradicts with the reality that anyone who commits an inappropriate sexual act towards another can be either female or male.
3.  How do you feel about these representation characteristics?  Are they fair? Correct?
I don’t believe all of these representation characteristics are fair or correct. Some hold truth, while others are completely wrong. As of recently, representation about sexual harassment has increased in accuracy. For example, in the show “13 Reasons Why”, there is constant representation of various issues, one being rape. In the show, the scriptwriters address two forms of rape. One being that the assaulter is the character’s boyfriend. Not many understand, that rape can take place in any situation - even a relationship. However, it was clear within the show that despite the character’s self denial, her boyfriend was assaulting her - forcing her to do things she made clear to him that she didn’t want to do

4.  Which representation characteristics would you retain?  Which would you challenge?
Some characteristics I would retain within my project is the representation of emotional trauma that comes with being sexaully harrassed. There is no amount of denial that can take away from the feeling a girl gets after the incident occurs. This is a constant variable throughout all media platforms when addressing how women are treated in terms of sexual assault. In all media productions that address this topic, there is evident discomfort that provokes the audience throughout the story. This method of getting the audience to sympathize with the on-screen character, allows the audience to realize that this is extremely real issue, regardless of if the narrative is fictional, and that it must be addressed.
Another characteristic that I would like to retain when portraying the issue of sexual harassment is that it stems from cultural and social influences. The whole concept of normalizing behaviors of harassment is an evident issue within our society. It is a clear contribution as to why people who participate in sexual harassment believe that what they do is okay. That if a woman doesn’t say “No”, then she’s implying yes.
On the other hand, one characteristic that I would want to challenge within my project is the identity of a sexual assaulter. Someone who sexually harasses another can be of any age, any gender, and of any background. They can be a stranger or a close friend. There is no one description that fits a person who does such things. But, one thing is certain about all people who decide to sexually harass another. And, that is that there is nothing to excuse his/her actions.

Friday, December 7, 2018

Genre Research - Drama

1.     Genre – Drama
2.     Genre Conventions – production techniques
The plotlines of TV and film drama productions typically attempt to convey realistic storylines surrounding an event, occurrence, etc. in an authentic way. This method of presenting the narrative in an emotional way allows the audience to sympathizes with the characters and their stories. Thus, fulfilling the purpose of the drama – to invoke compassion from the viewers and build personal ties to the audience enticing the desire to keep watching.
The timeline of a drama genre tends to gradually build as the story progresses. There are often moments of tension and conflict that all counterbalance with climactic and anticlimactic parts of the plot. This back and forth play of content of is done purposely to keep the audience in a constant state of entertainment, curiosity, and interest.
The endings of a drama are intended to leave a lasting impression on the audience. This impression tends to be serious and sending an important message relating to the story. For instance, take the ending of season 2 of the Netflix Original, “Thirteen Reasons Why”. The last episode not only shows one of the male characters being raped, but also depicts that this causes said character to attempt a school shooting.

Common Characteristics of the Drama Genre:
- Difficulties
- Tension between relationships
- Inner hardships-
- Emotional, physical, and mental abuse/pain
- Life struggles

Here's an interesting video that sums up the various traits of a Drama production -



3. Genre Conventions – production technique
Dramas tend to focus on conveying emotion in different physical ways. Character representation in regards to costume design is essential in the process of doing so. For instance, if a bubbly, amicable character is going through a loss in her family, her outfits may change into a gloomier look. This technique also considers color schemes; so, if the character is depressed, the set design and camera filters of each scene may have darker lighting, use darker tones (such as dark blue hues), and represent/reciprocate the feelings of each character.  

Trailers that market Drama films tend to be mysterious and create an atmosphere of ambiguity to the plot/what the character may be going through. Additionally, they provide minimal detail of the story, but just enough that allude to the main characters conflict in the narrative. Serious/dramatic non-diegetic music may play in the background of a Drama and common shots used can include close-ups/slow zooms/extreme close ups to allow the audience to get a more personal aspect of the story/people of the story.

Film Sample #1
“The Help”
This film embodies the genre of drama as it focuses on the struggles of African American Women back in the 1960s during the period of the Civil Rights Movement. In the narrative, a white woman named Eugenia aka “Skeeter” builds relationship with two black maids – Minny and Aibileen – while anonymously writing a novel based on “the help”. Skeeter ends up publishing her book revealing the constant discrimination, mistreatment, and oppression that these colored women face at the hands of their employers. The plot, although slow, sporadically shows the increasing tension of the maids and their employers while very beautifully and very emotionally (I cried 3 times) allowing the audience to better understand the lives of those oppressed.  

Film Sample #2
“American Beauty”
This film embodies the genre of drama as it follows the “midlife crisis” of a 42-year-old father, Lester Burnham. Burnham who begins the story by stating that he ends up dead entices the audience to watch closely as he lives out the last year of his life. While doing so, Lester constantly fantasies about his teenage daughter’s best friend, Angela. The overall obsessive inner monologue and depressive atmosphere allows the views to get a better understanding of the main character’s inner conflict and what leads to his death.

List of other drama film productions:
- Moonlight 
-  La La Land
-  Forrest Gump 
Whiplash
 The Shawshank Redemption

    

 


Work Cited 


Burton, N. (1970, January 01). Group 14. Retrieved from http://bca2media2013group14.blogspot.com/2012/09/conventions-of-drama-genre.html


FarjanaTahmin Follow. (2011, October 22). Conventions of Drama Films. Retrieved from https://www.slideshare.net/FarjanaTahmin/conventions-of-drama-films

(n.d.). Retrieved from http://www.studyit.org.nz/subjects/english/english3/2/subjectcontent/dramaproduction.html

Wednesday, November 14, 2018

Genre Database Entry

Genre Research Activity 

1.     Horror
2.     Genre Conventions – content
Typical characteristics of a Horror production storyline include a protagonist embarking on a conquest, whether that is to solve a problem or save themselves/others. The antagonist/villain tends to terrorize a group of people, usually teenagers who are not the brightest individuals.
The background story of the antagonist is usually told throughout the film in a series of flashbacks or through another character. This story tends to reveal the turning point of the villain’s mental/psychological state – in which sanity was lost/had a psychotic break.
 These sequences of flashbacks take place in the past, usually in the antagonist’s childhood in which they were emotionally, physically, or psychologically abused. The main antagonist of a horror production is not always a person but can also be:
-       A monster/made up creature
-       Paranormal activity (ghost haunting)
-       Demons
-       Possessed children
-       A child’s toy (ex. Dolls) /object
The ending of a horror film brings the audience/encompasses the feeling of closure or allows for the continuation of the story as a franchise (ex. Michael Myers in Halloween)
3.     Genre Conventions – production
Usually takes place in an isolated location/setting in which helplessness can be easily instilled into the plot. The location can have a dark past/history behind it to further establish darkness and potential danger.
            The color scheme of a horror production uses hue elements of red and black to represent violence, anger, blood, gore, aggression, etc. The lighting of the mise-en-scene can also add to the tone of a production by using low light to create mystery and shadows to establish a fearful atmosphere.
4.     Institutional Conventions – how a genre is marketed
Horror films are often marketed as franchises in which the story has the potential to continue after the end of each movie (usually left as a cliff hanger or alludes to a continuation). Thus, when first promoting a horror film – mystery is key. Trailers and posters tend to be ambiguous and leave the target audience questioning, “why” – which, in turn, increases curiosity to know more and eventually watch the production in hopes of finding out.
            Title names are often in a distorted/written in a “creepy” font, such as this one.



Letters/words can be written in red to further set violent tone. This is also done to contrast shadows within posters or posters in black & white.
            Once horror films are established, many productions create a sound motif to warn the audience to the presences of danger/the antagonist (killer, psychopath, etc.).

Micheal Myers sound motif
5.     Film Sample #1
“The Silence of the Lambs”
This film embodies the genre of horror as it follows the story of a young FBI agent in training as she tries to capture a serial killer known as “Buffalo Bill” (trait of genre – solving a problem/ on a mission). In the film, the main character, named Clarice Starling asks for help from the infamous serial killer/renown psychiatrist Dr. Hannibal Lector. The end scene of the movie takes place in a secluded house in which Starling unknowingly ends up in the house of Buffalo Bill, creating dramatic irony. This use of creating dramatic irony is a typical quality of horror content conventions. Finally, the movie ends as the protagonist finds/stops Buffalo Bill bringing closure to her journey.
6.     Film Sample #2
This film embodies the genre of horror, as it is not only a continuing franchise but it centers around that of a serial killer named Michael Myers. There are constant flashbacks used through the film series in which we get to better understand the villain and his ways. Additionally, the mystery behind the villain/character’s behavior stems from his childhood, which is a common characteristic of a horror genre.
“Halloween”
7.     List of other horror film productions:
-       The Conjuring 
-       The Shinning
-       Saw
-       Psycho
-       Scream
-       Insidious

Target Audience
The target audience of horror genre based films are directed towards younger audiences (teens to young adults) – age ranging between 15-25 years old. These individuals are typically more attracted to thrill seeking and gore productions, thus they enjoy watching horror.

Work Cited

Amberloo20 Follow. (2015, September 24). Codes and conventions in the horror genre. Retrieved from https://www.slideshare.net/amberloo20/codes-and-conventions-in-the-horror-genre
Conventions of Horror. (n.d.). Retrieved from http://iconicpictures.weebly.com/conventions-of-horror.html







The Big Finale

After weeks of hard work, sweat, tears, and little to no sleep, I proudly present our film opening to our movie, " 1% ".